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Game of the Year 2017: Jason's Picks


Jason Clement

Did anyone have any inkling of how good 2017 would be for video games before the year started?

Even knowing full well that Breath of the Wild would likely be amazing, I think this year took most people by surprise.

Honestly, we haven’t had a year full of titles this amazing since… 2011, at least. Or maybe even 2007 (Bioshock, Portal, Super Mario Galaxy). Heck, some would argue 1998 (Ocarina of Time, Metal Gear Solid, Half-Life).

There was something for everyone this year, and arguably even too much of it. 2018 will be a busy year for sure; not only will we be playing all of the newest releases, we’ll be using whatever free time is left to catch up on our backlog of amazing games from 2017. Seriously.

With that said, let’s take a look at the titles that surprised and delighted me the most this year.

 

 

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Honorable Mention

Layton’s Mystery Journey: Katrielle and the Millionaires’ Conspiracy

True story: The debut of Katrielle Layton – the famous Professor Hershel Layton’s daughter – is probably the least best (I dare not say ‘worst’) entry in the Layton series to date. This is because the story takes an episodic approach, the puzzles are fairly easy, most cases are generally non-consequential in nature, and many of the mysteries’ answers are telegraphed before completing them. And yet, none of that really mattered by the time the final scene aired.

Katrielle and the Millionaires’ Conspiracy is easily the most charming game I’ve played all year long.

The new cast, along with the supporting characters you come to know are what really make the game special in the end. With everything happening in the real world this year, I just wanted to disappear into Layton’s positive and whimsical take on London, following the adventures of Katrielle, Ernest, and their dog ‘Sherl’ as they crack case after case. Not all of the cases are winners, but there are a few that are incredibly touching and make the game worth playing in the end.

 

 

 

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10. Metroid: Samus Returns

The Metroid series returned with a bang this year, first with the announcement of Metroid Prime 4 being in development and then with the surprise announcement and subsequent release of Metroid: Samus Returns – the long-awaited remake of the Game Boy-only Metroid II: Return of Samus.

While it doesn’t do a lot to propel the series forward in a gameplay sense, this is true, classic, 2D Metroid gameplay at its finest. Featuring revamped controls that give you more flexibility and a new melee dodge attack that can parry enemies when timed right, Samus Returns adds just enough to improve the old experience while totally overhauling most of the outdated level design and mechanics of the original game.

The encounters with different Metroid evolutions are some of the best moments in the game, adding a real and rare sense of threat and danger to what has usually been a more atmospheric, exploratory game.

Also, there just might be a new addition or two to the game’s story to shake things up in the same way Metroid Zero Mission did nearly a decade and a half ago.

 

 

 

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9. Cosmic Star Heroine

I’d been aware of Zeboyd Games’ previous titles (Cthulhu Save the World, Breath of Death VII etc.), but they’d never appealed to me until Cosmic Star Heroine released this year. 

Zeboyd Games created perhaps the best homage to both Chrono Trigger and Phantasy Star that I’ve seen yet with Cosmic Star Heroine.

The battles wisely move away from the “select strongest attack until your MP is depleted” approach and instead injects more strategy by way of introducing cooldowns for each attack and focusing on when you should use them.

The story is interesting and well done, if a bit cliched, and moves at a brisk pace, even if it’s somewhat lacking in the character-building department. Cosmic Star Heroine’s universe is also pretty fascinating; Zeboyd did an excellent job of designing a wide variety of alien creatures and strange worlds, not to mention its eclectic cast of characters. Also, the music is a pretty rad take on ‘80s and ‘90s sci-fi soundtracks (think Babylon 5).

 

 

 

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8. World to the West

Rain Games is a developer that has been on my radar ever since I played their excellent Metroidvania title Teslagrad from a few years back. Their brilliant, hand-painted visuals combined with thought-provoking puzzles made me super enthused for their next title, World to the West.

Set in the same world as Teslagrad, World to the West eschews the 2D platforming of its predecessor and opts for an isometric Zelda-like approach. The result is a game with great, cartoon-like visuals; an interesting story set one generation after the former game and which focuses on four unique characters who come from significantly different backgrounds, and action-puzzle gameplay that splits the focus between said four characters’ special abilities.

It’s one of the few games I’ve played in which the world is cleverly designed so that you’ll need to use all four characters to explore and open it up with each one's own skills.

 

 

 

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7. SteamWorld Dig 2

The first SteamWorld Dig was an excellent surprise hit when it released a few years back, so I was both super excited and hesitant at the thought of SteamWorld Dig 2. Why? I didn’t know what developer Image & Form would be able to do that would keep it from feeling like a complete rehash.

Luckily for us, Image & Form saw this issue coming, and they did something smart. They cast Dot -- a minor character from the first game -- as the protagonist in this one and created a whole new mystery: What happened to Rusty, the original protagonist? The truth of the matter will take you through twists and turns, and it’s pulled off incredibly well. New items and machine parts help differentiate the core gameplay cycle, which is the same as the first game’s but with a more interesting world and better-designed caverns to navigate and solve.  

Excellent gameplay aside, what really made an impact on me with SteamWorld Dig 2 is how the plot plays with your expectations, and completely shatters them in the end.

 

 

 

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6. Sonic Mania

When it was first announced, I wasn’t that interested in Sonic Mania. It had been some time since I’d last played a 2D Sonic title, and the prospect of “going back” to the old classic style just didn’t seem like progress to me. Little did I know that it’s exactly what the series needed, especially since the newer games have grown creatively stagnant over the last decade (or two).

Sonic Mania injects just enough retro levels to keep it from feeling like a “best hits collection” and wisely introduces remixed versions of old levels along with entirely new ones that stand up with the very best the series has to offer.

It manages to nail that feeling where it plays like you imagined it played way back when, but in reality is so much better than what Sonic 1 had to offer. Topped off with a brilliant soundtrack, Sonic Mania is what I consider to be the best Sonic game to date. I did not expect to be as blown away by it as I currently am.

Welcome back, Sonic. Stick around for a while.

 

 

 

 

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5. Fire Emblem Echoes: Shadows of Valentia

Shadows of Valentia proves that Intelligent Systems is only getting better at making Fire Emblem games, and I was thrilled to discover just how good it was.

Being a remake of the NES-only Fire Emblem Gaiden, the second game in the series which never made it out of Japan, Shadows of Valentia stays true to its retro roots by keeping the different battle rules from the original game (no weapons triangle, magic depletes health, etc.) while adding brand new elements in the way of third-person dungeon crawling and exploring different areas of towns and forts.

While the latter addition isn’t always used to great effect, it’s fun to finally control a Fire Emblem character firsthand and helps to break up the pace between battles. Ultimately, Shadows of Valentia offers a surprisingly strong story (which is equally surprisingly dark in certain moments) that tackles themes of classism, war, and sacrifice – culminating in a grand finale that pays off in a big way at the very end.

Fire Emblem has rarely been as good as Echoes gets, and I hope to see most of the new systems and mechanics used here in the new Fire Emblem title for Switch next year.

 

 

 

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4. Splatoon 2

There was a point this year, perhaps around August or September, where I was certain Splatoon 2 would be my game of the year, if not for three other incredible games (one of which I had to do some more reflecting back on).

With over 265 hours invested, Splatoon 2 is by far my most-played game of the year and the one I had the most fun with on a consistent basis.

Some would say it’s not really a sequel; that it’s a 1.5 version of the game. Even if that’s true, it’s heads and shoulders above the first game, with a solid, diverse grouping of Ranked match games, tons of new hairstyles, weapons, specials, and ways to modify your character. And let’s not forget about Salmon Run, the new horde mode that might just be “mode of the year”. I’ve spent countless hours taking out Salmonids, collecting golden eggs, and having a general blast with @barrel, @Rissake, @YukiKairi, @Venom, and others.

No other game has given me that “just one more game feeling” quite like Splatoon 2 has, and that’s a testament to just how good it is.

 

 

 

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3. Super Mario Odyssey

If you know me, you might be surprised to see this game “only” placing third on my list. That’s mainly because this was an exceptional year with amazing games, but don’t let the lack of GOTY status fool you. This is a Mario title we haven’t seen in quite some time, and boy did it feel good to be running around and exploring each level at your own pace. Super Mario Galaxy 1 and 2 had moments of this, even if they were still largely linear affairs, but Odyssey’s wide open levels were so out of the norm for the past 15 years that they actually recalled elements of this year’s Breath of the Wild.

What I appreciated most about Odyssey is that it really does feel like Mario is embarking on a great journey.

Nintendo’s Tokyo studio also spared no effort to make every level feel as unique and original as possible, getting away from the standard lava world, ice world, and jungle world. Instead, you’ll find a level based on New York City, a food-based world, a desert world with ice-elements and an underground temple, and a forest with a tower that’s occupied by robots, just to name a few. It’s super imaginative, not to mention super inspired, due to the cap-throwing mechanic where you can capture and control different enemies.

Due to all this and more (that soundtrack!), Super Mario Odyssey is far and away the most creative game I’ve played this year.

 

 

 

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2. Horizon Zero Dawn

Horizon Zero Dawn is far and away the biggest surprise of 2017 for me. It always looked fantastic in previews, but I didn’t realize just how much I would fall down the rabbit hole with it until I played it late this year.

First off, it’s the most graphically impressive game I’ve played in 2017; stunning vistas, vast gorges, tree-lined forests, and populated towns and civilizations – it has it all. It also has the best narrative I’ve experienced all year; Aloy’s journey from shunned outcast to legendary warrior in the eyes of the people is an experience I’ll not forget, and there’s a deep amount of lore to the world, not to mention the many mysteries behind the plot are all well-thought out and have satisfying answers to them.

What really puts the game over the top for me is how good its machine-hunting combat is. At first, it’s incredibly daunting and seems complex (and really, it is), but after you learn the intricacies of how to hunt each machine (especially the large ones), the game really takes off.

There are so many ways you can take them down, from using a rope gun to tie them down to disable them to setting traps, tripwires, and shooting off weapons, modules, and weak spots with your arrows. Each encounter is incredibly dynamic and life-like, with each machine actually mimicking and behaving like the natural animal/creature it’s designed after. It’s a thrilling experience every time you’re involved in a hunt with larger machines because the danger feels incredibly real for Aloy, and it makes each victory all the sweeter when you eventually do take them down.

Horizon was a powerful experience for me -- one of those rare games that completely drown out real life and make you invested in the world within, and one I'll not forget anytime soon.

 

 

 

 

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1. The Legend of Zelda: Breath of the Wild

Breath of the Wild is a game that many Zelda fans have been waiting a long time for. While I wasn’t one of the ones hankering for a return to Zelda 1 mechanics (the go-anywhere approach), I’ll never forget the feeling of being dropped in this massive world and being in awe at how much there is to do and see.

I’ve heard many ask what Breath of the Wild does for open worlds that is so amazing. The answer has to do with interactivity – the world in BotW is so intricate in how you can interact with it and how it reacts to what you do. Horizon and other games have worlds that are impressive in size and scope, but there’s little you can do to it except traverse it and interact with specially designed areas and characters.

In BotW, you can climb nearly everything, decide how you want to approach a certain location, chop trees down to cross large ravines, set grass on fire and then ride the updraft the smoke creates, move almost any object that’s not attached to the ground with magnetism, and much more. In short, the world is alive, and never has a title for a game been more appropriate.

The plot itself, while not my favorite of the series, is still fairly good, and the individual story arcs and moments are well-done; especially those that involve the four champions. I also really enjoyed the Divine Beasts; even though we didn’t get traditional dungeons, these were fairly close in approximation them, and one of the Divine Beasts might just be one of my top 10 dungeons in the whole series.

In the end, Breath of the Wild will be remembered for letting players play the way they want to. There are definitely things that can be improved, but by and large, this is a landmark title that broke barriers and will shape games for years to come.

Edited by Jason Clement

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