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Developer: 4A Games Publisher: Deep Silver Platforms: PC, XBOX 360, PS3 Release Date: 5/14/13 Rating: M for Mature This review is based on the PC version of the game Spoiler Alert: The ending to METRO 2033 is briefly discussed When it comes to the world of post-apocalypse games, few developers are as talented in realizing hellish environments quite like Ukrainian developers 4A Games. Their work, which began at GSC with the STALKER series, has now matured into the Metro franchise. Gritty, mature, oppressive, and genuinely frightening, Metro: 2033 was a hallmark in survival-horror shooters. It was far from perfect with uneven AI and hit-or-miss combat, but few titles are as memorably atmospheric or intense as 2033. With the new sequel, Metro: Last Light, can 4A retain the franchise's scare factor while fixing the previous entry's problems? Last Light picks up shortly after the events of 2033. Protagonist Artyom has wiped out the mutant Dark Ones with nuclear missiles from D6. Before the Dark Ones are wiped out, Artyom realizes they aren't the blood-thirsty monsters he thought they were. They tried to make contact with the scattered survivors of civilization hiding out in Moscow's metro system, but it only ended in death and desolation. Living with the guilt of killing innocents, Artyom is thrust into another growing conflict. The various factions of the Metro, the Nazis, Communists, and Spartan Rangers, are preparing for an end war to seize control of the dilapidated tunnels. It's up to Artyom to prevent the war and save mankind one last time. The plot isn't the only new thing since the last Metro game. 4A has done an admirable job of fixing Metro: 2033's flaws. The new combat system is vastly improved and feels more reactive to player input. Stealth is also a viable option; enemy AI is no longer made instantly aware of Artyom's presence in darkness. Weapon customization has also been streamlined to cater to player preference, whether it's a larger ammo magazine or a silencer. These upgrades and options present new tactical opportunities to resourceful players. Given how difficult Last Light's firefights can be, every advantage is gladly welcomed. One thing that has remained the same is the use of military-grade bullets as currency. Like 2033, the rare and powerful ammo is still a valuable commodity in the Metro. You can find small handfuls of these bullets scattered about the various levels, but they aren't just for spending. If you're fighting a particularly tough opponent, you can switch to mil-grade to kill off the target faster. Making the trade-off between cash and combat is a challenging balance, though I never felt like I needed to use these rounds. I always had just enough standard dirty bullets to survive the next encounter. While I enjoyed my time with Last Light, not all of the changes 4A made are welcome additions. Since combat has been revamped and the game has taken on a more action-packed feel, Last Light felt less frightening and immersive. Don't get me wrong, the environments and settings are still as detailed and gorgeous as anything from 2033. It just lacks the signature tension I came to love. The new AI can also break the illusion of reality with how idiotic it can be. It's unrealistic to kill a guy right in full view of his buddy and not raise any alarms. As you might imagine, Last Light is a beauty to behold. The visuals and sound design are top-tier, better than almost anything you'll see this year. Character animation and special effects have been improved and the impressive lighting add much to the atmosphere. The sound is also fantastic, featuring a decent musical score and great Russian voice-overs. Don't play Last Light in English; switch to Russian and get the original experience. Thankfully, Last Light is also a lot less buggy than 2033. I rarely encountered any game-breaking bugs during the majority of my playthrough. This is the most stable release from 4A thus far, beating out their original work in STALKER. Unfortunately, I ran into a save corruption which ended up setting me back two weeks in finishing the game as I couldn't figure out what was wrong. It's supposedly a rare glitch, but who knows how frequent it really is. Metro: Last Light is a great game by itself. But when stacked against the superior 2033, Last Light struggles to live up to the towering legacy. I was one of the few to absolutely love 2033, and I'm a little disappointed that the sequel doesn't hit all of the same high marks. It's still a great experience and one that I definitely recommend. But with the Ranger mode being offered as DLC, a weaker ending, and a few missteps in the AI, Last Light is not as great as the original. Pros: + Great atmosphere + Improved combat system + Weapons customization + Technically stunning + Relatively stable Cons: - AI hiccups - Ranger mode is DLC - Weaker ending Overall Score: 8 (out of 10) Great Metro: Last Light is a great shooter and a decent sequel. While it's not as great as Metro: 2033, I still recommend for those looking for something new.
Jason Clement posted a article in Industry NewsIn a recent interview with GamesIndustry, former THQ President Jason Rubin brought to light the conditions that Metro: Last Light developer 4A Games experienced during the development of the game. Rubin discussed how Ukraine-based 4A Games was never on a level playing field with the rest of the developers in the industry mostly due to the conditions the studio was working in but also because Metro: Last Light was afforded only 10% of the budget that other developers received for working on big budget games. As for the type of conditions they worked in, Rubin mentioned how they had to work shoulder-to-shoulder on folding wedding chairs at tiny card tables, saying that it looked like a "packed grade school cafeteria than a development studio." They also experienced power outages all the time, and were even forced to bring in construction generators to work the weekend before the submission deadline. To make things worse, Kiev, Ukraine is a bitterly cold place at times, and all of the heating is provided through a central coal burning facility that pumps hot water to homes and offices, but it often breaks down for weeks at a time. The staff at 4A Games were forced to wear parkas to try to keep warm and they often struggled to keep their fingers warm in below freezing conditions. All of this and more (including difficult moments in staff members' secular lives) affected 4A Game's development of the game, and yet they still managed to put together a game that has currently attained an 80 or higher ranking on Metacritic, which is quite a feat considering that other AAA games with 10x the budget of Metro: Last Light can often miss that mark. Check out the full interview with Rubin on GamesIndustry for more insight in the story behind 4A Games' work conditions. Source: GamesIndustry
Jordan Haygood posted a article in NintendoAs you may recall, Metro: Last Light's developer 4A has recently decided to cut the cord on their game's Wii U support, stating how unimpressed it was with the console's graphical processing power by claiming it has a "horrible, slow CPU." Other developers have notably agreed with this claim, or at least made similar ones regarding the console as not being next-gen material. But many others, such as Ninja Gaiden 3's own Team Ninja, have decided to join the Wii U defense force and argue against these claims. In a recent interview with Edge, Yosuke Hayashi - head of Team Ninja and Ninja Gaiden 3 director - rebutted the comments made by 4A, saying how developers tend to use the console's supposed low-power CPU as a faÃ§ade in their business decisions. "To be completely blunt and honest," said Hayashi, "there“s no way that the Wii U processor is ”horrible and slow“ compared to other platforms." On the other hand, Hayashi does say that the Wii U isn't a big leap over last generation in terms of processor speeds. However, he is also very adamant in his belief that the next generation isn't just about processing speeds. "If you“re basing this simply on processor speed," said Hayashi,"then it“s not next generation. If you“re basing this on Wii U being a new idea that challenges existing platforms, then it definitely is next generation. It is a console videogame platform that is now independent of the TV. Nobody has done that before." Hayashi went on to say that "players want new innovation that includes the environment in which you play and services you use, rather than just raw processor spec. Nintendo is at the forefront of that innovation. I“m looking forward to seeing what the other platforms come up with in the future." Hayashi later said how much the Wii U helped his team fix things that made Ninja Gaiden 3: Razor's Edge seem broken when it was released for last-gen consoles. And if you've taken it upon yourselves to try out the Wii U version, which released as a launch title in the U.S., you have probably noticed already just how much the game has improved. Do you agree with Hayashi? What are your thoughts on the matter?
THQ, of Saints Row fame, continues financial woes despite their hit-sequel Darksiders 2 selling over 1.4 million units this year. The company closed studios and released a notable portion of their staff earlier this year, but continues to struggle as their finances ultimately overshadow their accomplishments. THQ buried within their most recent quarterly fiscal report the fact that their highly anticipated Role-Playing Game, South Park: The Stick of Truth, will not make its previously estimated March 5, 2013 deadline. The game is now scheduled for release at some point after April 1, 2013 in an effort to find the most financially advantageous date for THQ and allowing the game to reach its full potential as a market-ready title. THQ also postponed the release of Metro: Last Light and Company of Heroes 2 beyond the company's initially estimated release dates. Metro: Last Light and Company of Heroes 2 are now expected to find their way to consoles in March. These delays are just one step in a much larger scheme to improve the company's profitability, whose CEO is now exploring â€œstrategic alternativesâ€ to get their books out of the red.